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Tuna (eels) weave through it, reflecting the wider ecosystem and the interdependence between the species. \n\n--- \n\n**On display** \n\nBing Dawe, bronze maquette of *Towards Repair – Gorse as a Nursery – Composition with gorse, NZ beech and tuna from Hinewai* (2002) \n>On loan from Peter Joyce and Annabel Menzies-Joyce, Tai Tapu Sculpture Garden \n\n*Tai Tapu Sculpture Garden* book \n>Donated by Peter Joyce and Annabel Menzies-Joyce\n\n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"*Towards Repair – Gorse as a Nursery – Composition with gorse, NZ beech and tuna from Hinewai* (2002) by Bing Dawe, in the collection of Tai Tapu Sculpture Garden.","Title":"Love of art and biodiversity","TitleMaori":null,"PlayIconStyle":null,"id":392,"Media":{"localFile":{"publicURL":"/static/c2a0b83e546821e98fb999c314a42d48/Slide_1_Bing_Dawe_60c4744893.jpg"},"mime":"image/jpeg"},"VideoPlaceholderImage":null},{"Body":"Professor Peter Joyce, former Head of the Department of Psychological Medicine at the University of Otago, found solace and joy in planting the Tai Tapu Sculpture Garden. He retired in 2016 and now has more time to work on the vision for the garden, to recreate a podocarp forest as it might have been 100 years ago. Since Autumn 2010, over 8,000 native trees and shrubs have been planted, reflecting the original native flora of the area. Plantings include kahikitea, tōtara, mataī, mānutu (ribbonwood), houhere (lacebark), kānuka, tātara (lemonwood), kōwhai, hebe, harakeke, and some coprosma species. The garden attracts growing populations of pīwakawaka, korimako (bellbird), riroriro (grey warbler) and swooping kererū. \n\nPeter is also co-chair of Te Ara Kākāriki Greenway Canterbury Trust, which was set up in 2006 to create a corridor of native biodiversity ‘green dots’ between the Waimakariri and Rakaia Rivers, linking the mountains to Horomaka Banks Peninsula, Te Waihora Lake Ellesmere, and Te Moana-nui-a-Kiwa The Pacific Ocean. \n\n \n##### James Wright’s 2023 sculpture *Let The Fun Begin* with Peter Joyce and Alfie, 2023.\n>Photographed by Brian High for Tai Tapu Sculpture Garden\n\n","BodyMaori":null,"Credit":"Tai Tapu Sculpture Garden","MediaCaption":"A birds-eye-view of the magical Tai Tapu Sculpture Garden.","Title":"A shared vision","TitleMaori":null,"PlayIconStyle":null,"id":393,"Media":{"localFile":{"publicURL":"/static/57c4169b01eef2bbc802297fff8d4774/Slide_2_garden_58a44cf90f.jpg"},"mime":"image/jpeg"},"VideoPlaceholderImage":null},{"Body":"Tai Tapu Sculpture Garden co-founder, Annabel Menzies-Joyce, is a painter, sculptor, and qualified landscape architect. The landscape is her particular focus. Working in cast glass, she draws attention to its fragility and beauty through form, light, and colour. \n\nIn 2012 she was commissioned by David Bolam-Smith to create a kahikatea sculpture to commemorate the Japanese students who lost their lives in the 2011 Christchurch earthquake. She made two: one for the Christ Church Cathedral, and one for the Japanese city of Toyama, the home to the greatest number of Japanese students killed. Peter and Annabel visited Japan for the unveiling of her work in 2012, visiting several parks and gardens there, which inspired them to include a Japanese influence in their sculpture garden. \n","BodyMaori":null,"Credit":"Annabel Menzies-Joyce","MediaCaption":"*Kahikatea* by Annabel Menzies-Joyce, made for both Christ Church Cathedral and Toyama College, Japan, 2012.","Title":"A shared vision","TitleMaori":null,"PlayIconStyle":null,"id":396,"Media":{"localFile":{"publicURL":"/static/a104999ace45c2b3131f5c623aebafb1/Slide_3_kahikatea_0a1a02c891.jpg"},"mime":"image/jpeg"},"VideoPlaceholderImage":null},{"Body":"Early collaborators supporting Annabel and Peter’s vision included sculptors Llew Summers and Doug Neil, artist Robyn Webster, and gallerist Jonathan Smart, among others. The Tai Tapu Sculpture Garden opened to family and friends in 2013 with a smaller exhibition and held the first of its Annual Autumn Exhibitions in 2014, when curator Melissa Reimer came on board. \n\nVisitors to the garden enjoy a stunning range of curated small and large-scale sculptures for sale alongside a growing permanent collection of more than 30 works by 20 artists. National sculpture competitions are also held to commission new works for the collection. \n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"Installation of the kingfisher feather sculpture *Kōtare* by Neil Dawson, and its final placement in the Tai Tapu Sculpture Garden, 2023.\n","Title":"A magical destination","TitleMaori":null,"PlayIconStyle":null,"id":395,"Media":{"localFile":{"publicURL":"/static/57945c911347113253ea66c6cc86f3f0/Slide_4_Kotare_1491c0e6ce.jpg"},"mime":"image/jpeg"},"VideoPlaceholderImage":null},{"Body":"The Tai Tapu Sculpture Garden Annual Autumn Exhibition runs over the first three weekends in March, and the garden is open by appointment throughout the year. Visitor numbers have grown from 400 in 2014 to 2,500 in 2022, cementing its place as an inspirational Waikirikiri Selwyn destination for art and garden lovers alike. \n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"Tai Tapu Sculpture Garden at sunset, 2022.","Title":"A magical destination","TitleMaori":null,"PlayIconStyle":null,"id":394,"Media":{"localFile":{"publicURL":"/static/e935d85db5d3a8257977acab104a0bb4/Slide_5_sunset_18ef9eb996.jpg"},"mime":"image/jpeg"},"VideoPlaceholderImage":null}],"Title":"DL04 Stairway 01-2 - Tai Tapu Sculpture Garden","id":"Slideshows_99","strapiId":99,"TimeoutOverrideSeconds":null}},"pageContext":{"id":"Slideshows_99","slideshowData":{"Slideshow":[{"Body":"Tai Tapu Sculpture Garden was established in 2010 by Annabel Menzies-Joyce and Peter Joyce as a native regeneration project and an evolving sculpture garden that is also home to rare or threatened native plants of Canterbury. \n\nMany of the garden’s artworks pay homage to the environment and biodiversity, including Bing Dawe’s *Towards Repair – Gorse as a Nursery – Composition with gorse, NZ beech and tuna from Hinewai* (2022), seen here in the maquette (a small-scale version of the eventual work). \n\nBing Dawe’s work is strongly driven by a deep concern for the environment including the impact of urban development on native fauna, flora, and natural habitats. In this delicate sculpture in bronze and steel, he depicts a tawhairanui (red beech) growing through and above a base of gorse. Tuna (eels) weave through it, reflecting the wider ecosystem and the interdependence between the species. \n\n--- \n\n**On display** \n\nBing Dawe, bronze maquette of *Towards Repair – Gorse as a Nursery – Composition with gorse, NZ beech and tuna from Hinewai* (2002) \n>On loan from Peter Joyce and Annabel Menzies-Joyce, Tai Tapu Sculpture Garden \n\n*Tai Tapu Sculpture Garden* book \n>Donated by Peter Joyce and Annabel Menzies-Joyce\n\n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"*Towards Repair – Gorse as a Nursery – Composition with gorse, NZ beech and tuna from Hinewai* (2002) by Bing Dawe, in the collection of Tai Tapu Sculpture Garden.","Title":"Love of art and biodiversity","TitleMaori":null,"id":392,"PlayIconStyle":null,"Media":{"localFile":{"publicURL":"/static/c2a0b83e546821e98fb999c314a42d48/Slide_1_Bing_Dawe_60c4744893.jpg"},"mime":"image/jpeg"}},{"Body":"Professor Peter Joyce, former Head of the Department of Psychological Medicine at the University of Otago, found solace and joy in planting the Tai Tapu Sculpture Garden. He retired in 2016 and now has more time to work on the vision for the garden, to recreate a podocarp forest as it might have been 100 years ago. Since Autumn 2010, over 8,000 native trees and shrubs have been planted, reflecting the original native flora of the area. Plantings include kahikitea, tōtara, mataī, mānutu (ribbonwood), houhere (lacebark), kānuka, tātara (lemonwood), kōwhai, hebe, harakeke, and some coprosma species. The garden attracts growing populations of pīwakawaka, korimako (bellbird), riroriro (grey warbler) and swooping kererū. \n\nPeter is also co-chair of Te Ara Kākāriki Greenway Canterbury Trust, which was set up in 2006 to create a corridor of native biodiversity ‘green dots’ between the Waimakariri and Rakaia Rivers, linking the mountains to Horomaka Banks Peninsula, Te Waihora Lake Ellesmere, and Te Moana-nui-a-Kiwa The Pacific Ocean. \n\n \n##### James Wright’s 2023 sculpture *Let The Fun Begin* with Peter Joyce and Alfie, 2023.\n>Photographed by Brian High for Tai Tapu Sculpture Garden\n\n","BodyMaori":null,"Credit":"Tai Tapu Sculpture Garden","MediaCaption":"A birds-eye-view of the magical Tai Tapu Sculpture Garden.","Title":"A shared vision","TitleMaori":null,"id":393,"PlayIconStyle":null,"Media":{"localFile":{"publicURL":"/static/57c4169b01eef2bbc802297fff8d4774/Slide_2_garden_58a44cf90f.jpg"},"mime":"image/jpeg"}},{"Body":"Tai Tapu Sculpture Garden co-founder, Annabel Menzies-Joyce, is a painter, sculptor, and qualified landscape architect. The landscape is her particular focus. Working in cast glass, she draws attention to its fragility and beauty through form, light, and colour. \n\nIn 2012 she was commissioned by David Bolam-Smith to create a kahikatea sculpture to commemorate the Japanese students who lost their lives in the 2011 Christchurch earthquake. She made two: one for the Christ Church Cathedral, and one for the Japanese city of Toyama, the home to the greatest number of Japanese students killed. Peter and Annabel visited Japan for the unveiling of her work in 2012, visiting several parks and gardens there, which inspired them to include a Japanese influence in their sculpture garden. \n","BodyMaori":null,"Credit":"Annabel Menzies-Joyce","MediaCaption":"*Kahikatea* by Annabel Menzies-Joyce, made for both Christ Church Cathedral and Toyama College, Japan, 2012.","Title":"A shared vision","TitleMaori":null,"id":396,"PlayIconStyle":null,"Media":{"localFile":{"publicURL":"/static/a104999ace45c2b3131f5c623aebafb1/Slide_3_kahikatea_0a1a02c891.jpg"},"mime":"image/jpeg"}},{"Body":"Early collaborators supporting Annabel and Peter’s vision included sculptors Llew Summers and Doug Neil, artist Robyn Webster, and gallerist Jonathan Smart, among others. The Tai Tapu Sculpture Garden opened to family and friends in 2013 with a smaller exhibition and held the first of its Annual Autumn Exhibitions in 2014, when curator Melissa Reimer came on board. \n\nVisitors to the garden enjoy a stunning range of curated small and large-scale sculptures for sale alongside a growing permanent collection of more than 30 works by 20 artists. National sculpture competitions are also held to commission new works for the collection. \n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"Installation of the kingfisher feather sculpture *Kōtare* by Neil Dawson, and its final placement in the Tai Tapu Sculpture Garden, 2023.\n","Title":"A magical destination","TitleMaori":null,"id":395,"PlayIconStyle":null,"Media":{"localFile":{"publicURL":"/static/57945c911347113253ea66c6cc86f3f0/Slide_4_Kotare_1491c0e6ce.jpg"},"mime":"image/jpeg"}},{"Body":"The Tai Tapu Sculpture Garden Annual Autumn Exhibition runs over the first three weekends in March, and the garden is open by appointment throughout the year. Visitor numbers have grown from 400 in 2014 to 2,500 in 2022, cementing its place as an inspirational Waikirikiri Selwyn destination for art and garden lovers alike. \n","BodyMaori":null,"Credit":"Photographed by Brian High for Tai Tapu Sculpture Garden","MediaCaption":"Tai Tapu Sculpture Garden at sunset, 2022.","Title":"A magical destination","TitleMaori":null,"id":394,"PlayIconStyle":null,"Media":{"localFile":{"publicURL":"/static/e935d85db5d3a8257977acab104a0bb4/Slide_5_sunset_18ef9eb996.jpg"},"mime":"image/jpeg"}}],"Title":"DL04 Stairway 01-2 - Tai Tapu Sculpture Garden","id":"Slideshows_99","strapiId":99},"homePath":"/touchscreens/DL04","backPath":"/touchscreens/DL04/menu/29","title":"DIGITAL LABEL 04
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.menu-page-items-container {\n overflow-x: auto;\n position: absolute;\n top: 180px;\n}\n\n.menu-page-20 .grid-icon-size.without-sidebar, .menu-page-20 .without-sidebar .grid-icon {\n height: 600px;\n width: 600px;\n max-width: 600px;\n}\n\n.menu-page-23 .grid-icon-size.without-sidebar, .menu-page-23 .without-sidebar .grid-icon {\n height: 600px;\n width: 600px;\n max-width: 600px;\n}\n\n.grid-icon-size, .grid-icon {margin-right:10px;margin-top:10px;transition: width 0.5s ease-in-out;overflow:hidden;height:250px;width:250px;max-width:250px;position:relative;float:left;}\n.grid-icon-size.without-sidebar, .without-sidebar .grid-icon {height:250px;width:250px;max-width:250px;}\n.grid-icon-size.with-sidebar, .with-sidebar .grid-icon {height:270px;width:270px;max-width:270px;}\n.grid-icon img {transition: filter 0.5s ease-in-out; filter: sepia(0) grayscale(0%);width:100%;}\n.grid-icon img.highlight {filter: sepia(0) grayscale(100%);}\n.grid-icon p {text-transform: uppercase;margin: 0;font-family: 'DIN2014';width: 100%;padding: 10px;color: #231f20;white-space: nowrap;position: absolute;bottom: 0;background-color: rgba(208, 210, 211, 0.9);min-height: 50px;transition: opacity 0.25s ease-in-out;opacity:1;bottom:0;position:absolute;}\n.grid-icon.hidden-icon {width:0;margin:0;}\n.grid-icon.hidden-icon p {opacity:0;}\nbody {width: 1920px;height: 1080px;overflow: hidden;}\n\n.buttons-language {top:60px;right:0;position:fixed;z-index:99999999;font-size:18pt;}\n.buttons-language a {display:inline-block;width:180px;background-color:#b7b7b7;#color:#000;line-height:80px;text-align:center;}\n.buttons-language a.active {background-color:#000000;color:#cfcfce;}\n\n\n.tags-container {\n position: fixed;\n right: 0;\n top: 0;\n width: 300px;\n height: 100%;\n backgroundColor: #ebebeb; \n}\n\n.with-sidebar .tags-container {\n right: 530px !important;\n}\n\n.tags {\n position: absolute;\n top: 50%;\n left: 50%;\n transform: translate(-50%, -50%);\n color: #231f20;\n margin: 0;\n text-align: right;\n margin-right: 70px;\n}\n\n.tags a {\n font-family: \"DIN2014\";\n text-transform: uppercase;\n line-height: 20px;\n display: block;\n padding: 0 10px;\n margin: 30px 0;\n text-align: center;\n font-size: 15px; \n}\n\n.tags a:last-child {\n margin-right: 0;\n}\n\n.tags a.active {\n border-bottom: 1px solid #231f20;\n}\n\n\n\n/* Tedds rubbish starts here*/\n\n\n.touchscreen-text h1 {\n font-size: 72px;\n color: #ffffff;\n}\n\nh1 {\n color: #231f20;\n margin: -20px 0 0 0;\n font-family: 'Atlas Grotesk';\n font-size: 80px;\n}\n\n.touchscreen-text {\n transition: 1s;\n position: relative;\n left: 0;\n top: 400px;\n z-index: 100;\n}\n.touchscreen-text h3 {\n font-size: 36px;\n font-weight: 300;\n color: white;\n padding-left: 0px;\n position: fixed;\n}\n\nh3 {\n color: #231f20;\n font-size: 12px;\n text-transform: uppercase;\n line-height: 2em;\n font-family: 'Atlas Grotesk';\n}\n\nhtml, body {\n font-family: 'Atlas Grotesk';\n}\n\nh1 {\n color: #231f20;\n margin: 2px 0 0 0;\n font-family: 'Atlas Grotesk';\n font-size: 48px;\n font-weight: 500;\n}\n\n.tags-container {\n position: fixed;\n right: 0;\n top: 0;\n width: 360px;\n height: 100%;\n backgroundColor: #ebebeb;\n}\n\n.tags {\n position: absolute;\n top: 50%;\n left: 50%;\n transform: translate(-50%, -50%);\n color: #231f20;\n margin: 0;\n text-align: right;\n margin-right: 0px;\n}\n\n.swiper-infobox .infobox h3 {\n margin-top: 200px;\n font-size: 32px;\n font-family: \"Atlas Grotesk\";\n letter-spacing: 0.1em;\n line-height: 1em;\n}\n\n.swiper-caption .caption {\n position: absolute;\n left: 30px;\n top: 10px;\n font-weight: 300;\n text-align: left;\n font-size: 14px;\n max-width: 650px;\n line-height: 1;\n}\n\n.swiper-pagination-fraction {\n font-family: 'Atlas Grotesk';\n left: 360px !important;\n bottom: 30px !important;\n text-align: left !important;\n font-size: 80px;\n font-weight: 900;\n color: #00000033;\n}\n\n\n.grid-icon p {\n text-transform: uppercase;\n margin: 0;\n font-family: 'Atlas Grotesk';\n font-size: 14px;\n width: 100%;\n padding: 10px;\n color: #231f20;\n white-space: normal;\n position: absolute;\n bottom: 0;\n background-color: rgba(208, 210, 211, 0.9);\n min-height: 50px;\n transition: opacity 0.25s ease-in-out;\n opacity: 1;\n bottom: 0;\n position: absolute;\n}\n\n.touchscreen-text h1 {\n font-size: 72px;\n display: none;\n color: #ffffff;\n}\n\n.touchscreen-pageDL01 .touchscreen-text h3 {\n font-size: 36px;\n font-weight: 300;\n color: black;\n padding-left: 0px;\n}\n\n.touchscreen-pageDL03 .touchscreen-text h3 {\n font-size: 36px;\n font-weight: 300;\n color: black;\n padding-left: 0px;\n}\n\n\n.menu-page-icon-container h1, .touchscreen-menu-items-container h1 {\n width: 900px;\n min-height: 2em;\n margin-bottom: 60px;\n}\n\n.page-container {\n margin: 0;\n padding: 52px 100px 0;\n position: relative;\n height: 100%;\n background: #ebebeb;\n}\n\n\n\n.menu-page-items-container {\n margin-top: 300px;\n overflow-x: auto;\n width: 1300px !important;\n height: 560px;\n overflow-y: hidden;\n}\n\nh5 {\n font-family: 'Atlas Grotesk';\nfont-weight: 350;\n font-size: 85%;\nmargin-top: 10px;\nmargin-bottom: 10px;\n}\n"}},
"staticQueryHashes": []}